THE CENTER PIECE IN THE RESTORATIVE JUSTICE CIRCLE WITH MEN ACCUSED OF VIOLENCE: A SEMIOTIC PERSPECTIVE OF SYMBOLS

Abstract

This study analyzes the center piece in Restorative Justice circles as a central semiotic element, focusing on how its visual and symbolic components articulate meanings and reinforce restorative values. The research problem arises from the need to understand how these elements transcend aesthetics, promoting dialogue, reconciliation and collective construction of values, especially in the context of gender violence. It is justified by the relevance of deepening the integration between semiotics and restorative practices, expanding the understanding of the cultural and symbolic dynamics that influence social transformation. The main objective was to analyze the signs present in the center piece and their functions within the restorative ritual, based on the theories of Barthes (2004), Santaella (1983, 2005) and Peirce (1990). The methodology adopted a semiotic analysis of the centerpiece, using a photograph of a circle made in the "Encontros e Diálogos" project, of the CEJUSC of Ilhéus, which assists men accused of domestic violence. The analysis revealed that the elements present – dolls, books, papers with written values and visual guidelines – organize the space, promote welcoming and reinforce ethical values such as equality and horizontality. According to Barthes (2004), these objects are cultural signs that carry multiple meanings, connected to the interpretative context. The results highlight that the center piece acts as a microcosm of restorative values, being fundamental for the construction of a safe and transformative dialogue environment, especially in the fight against gender violence.